Articles about Travel

Getting ready for Overland Expo 2013…

Early Friday morning I get to head up north to a bustling little campground just outside of Flagstaff where a huge community is gathering.  The Overland Expo is in it’s 8th year and celebrates people who explore the world.  I attended the Expo last year for the first time and was overwhelmed with the amazing vehicles, interesting stories from seasoned travelers and the closeness of the community.  Even though most of the people attending travel alone (or as a couple) they tend to embrace other Overlanders as kindred spirits.

Overlanding Rig from Overland Expo 2012

I won’t be able to get up there until Friday morning, but I can’t wait to see who is there this year.  I’m looking forward to seeing friends from last year like @OverlandNomads, @AmericanSahara and @ExplorElements as well meeting some new people.  I am also looking forward to seeing some of my favorite vendors like @TADgear and @OverlandGourmet.

I’ve been looking to get my camping/overlanding rig outfitted with better gear.  So I will be looking for some specific (awesome) gear from Goal Zero Solar, Canyon Coolers and pretty much anyone showing travel trailers.  And I’ll be sure to take lots of pictures!

 

What is Overlanding?

from the Overland Expo website:

“Overlanding is a way to describe exploring by your own means, usually either by vehicle (often with four-wheel-drive capability) or adventure motorcycle. It’s long been a traditional way to describe safaris in Africa or exploring in Australia. Brits head “overland” to Africa and Asia and across the Continent.

We use the term to differentiate the activity from other four-wheel-drive activities such as rock-crawling or rallying. For overlanders, the journey is as important as the destination or the activities that we do when we get to our destination (if there even is a specific destination): hiking, nature watching, kayaking, mountain biking, and so on.

For overlanders, the camping is really a highlight as well ~ we enjoy innovations like roof-top tents, 12V fridges, and high-quality awnings, ground tents, kitchen kits, and equipment such as compressors and winches and other recovery gear.”

What is the Overland Expo?

“Overland Expo is designed as a unique event to introduce consumers to all the innovative equipment for camping and vehicles, and to introduce travel enthusiasts to the pleasures of exploring the world via your own means, whether it’s an old van or a new Land Cruiser or Sportsmobile or BMW motorcycle.

Through social events and 85+ programs and classes and over 140 exhibitors, Overland Expo is the largest and most unique event combining adventure travel, vehicles, and motorcycles with education & commerce.

It’s the place to come to get outfitted; get trained; get inspired . . . and get going.”

Photograph of the Week: Graduated Filtering…

My wife and I recently visited California to see some friends and family.  We spent Saturday afternoon driving down the coast from Monterey through Big Sur on the scenic Highway 1.  We stopped several times along the way to hike, take pictures and get riddled with Poison Oak (not so much fun).  As the afternoon wore on the fog got thick and it looked like the sunset would be a bust.  I had been hoping to get a nice coastal sunset in this scenic area but nothing is guaranteed in nature.

A little over an hour before true sunset, the sun started to break through the clouds and offer a little pre-sunset drama.  We quickly pulled off the highway at a scenic overlook and I hopped out with the tripod to grab a few shots of the light display.  This was going to be a narrow window and a slightly challenging shot.

I knew I would be looking to shoot a sunset along the coast and had been trying to get myself a nice Neutral Density Graduated Filter for the job.  This would allow me to shoot a little slower to expose the darker ocean and maybe even get some motion blur without over exposing the sky.  Unfortunately, I wasn’t able to get the filter I wanted before the trip.  So I would have to get the shot and figure it out later.

Photograph of the Week: The RAW shot…

Photograph of the Week - Big Sur cliffs RAW

The challenge is balancing the exposure.  You don’t want to overexpose the sky so that the clouds and light still holds detail.  But at the same time you don’t want to underexpose the landscape (ocean) and risk losing detail there either.  Since the clouds only broke in a small part of the sky the entire shot would be very dark except for the light shining through the clouds.  I managed to get a couple of images that struck the balance between exposures allowing me to process them as if I were working with a real filter.

Photograph of the Week: Processing in Lightroom…

Photograph of the Week - Big Sur Lightroom

The first thing I did was adjust the exposure so the darker areas were exposed properly.  This blew out the light in the sky and the glow of the clouds but I’d fix that later.  Once the exposure was corrected I did my usual work of pulling shadows and creating deeper blacks to add depth.  I then pushed on the Clarity and Vibrance to create sharper contrast and pull more vivid color.  Color would be important but I didn’t want to oversaturate the image, so I only made a slight adjustment to the Saturation.

This got me away from a very gray and underexposed image, but the sky was now over exposed.  I applied a Gradient Filter to the top of the image allowing me to adjust the sky without effecting the ocean and landscape.  With the filter in place I was able to bring the exposure of the sky back down a couple of steps where it was more natural and the detail returned.  I still had a very gray sky so I pushed the Temp setting slightly toward the cooler side.  The result gave me a better setting for the warm light that was pouring through the clouds.

I finished my adjustments by pushing the Sharpness as far as I dared, then smoothing the noise by increasing the Luminance.  This is something I’ve been doing on almost every image because it allows me to get crisp detail and sharp edges with almost no noise at all.

Photograph of the Week: Magic from Color Efex Pro…

Photograph of the Week - Big Sur Sunset Final

I tried to keep it simple in Color Efex Pro.  I just wanted a little warmth to the light and maybe a little sharper detail.  I started by applying the basic Brilliance/Warmth filter which gives a nice warm glow to the light in the image, but won’t overly warm the cooler colors.  Then I wanted to punch the light in the sky up a little, so I applied the Skylight filter and the Sunlight filter.  Both of those seem only to enhance existing light in an image without doing too much to mid tones and shadows.  These filters also seemed to bring some luminosity and warms to the reflected light on the ocean surface.

I finished off my adjustments by adding another Graduated Neutral Density Filter to the image creating more contrast in the cloudy sky.  Graduated filters in both Lightroom and Color Efex Pro allowed me to balance out the exposure on a very unbalanced scene.  I can’t wait to get a real physical Neutral Density Filter so I can try some other tricks.

Once the adjusted TIFF file was back in Lightroom I increased the Sharpness and Luminosity again, kinda just to see what would happen. It gave the image a very painterly quality, but on such a small scale it’s hard to see without blowing it up.  But enlarged, the image has no noise and very clean edges, the textures also came in super clean.  I might start doing this final step regularly.

Specifications:

  • This image was shot on a Nikon D300 with a Nikon Nikkor 10-24mm lens.
  • Exp: 1/20 sec, F/22, ISO-200, 10mm.
  • Originally shot in RAW format and processed in Adobe Lightroom and finished in NIK Color Efex Pro 4.

This image and images from this set are available at my Virtual Gallery for download or to order prints.  Please visit.

One Day in Zion…

As night draped over the desert like a thick blanket, Dave and I sat near the small, crackling fire and talked in hushed voices about our grand plans for the coming adventure.  He had flown in to Salt Lake City and made the four hour drive across Utah to Zion that morning.  I had made the robust seven hour drive across Arizona and Southern Utah from Phoenix.  Both of us were short on time.  Saturday was our only day to really see the park, to drink it in until we were intoxicated by it’s unique beauty.  We asked ourselves, “What do you do when you only have one day in one of the most amazing places on Earth?”

Our only answer, “Everything!”

 

The main section of Zion National Park is not terribly huge.  The section of park along the North Fork of the Virgin River from the park entrance to The Narrows is only about 6 or 7 miles long.  But that stretch of canyon houses within it’s hallowed walls some of the most dramatic and iconic scenery in North America.  There are monuments and trails within this sliver of earth that many only dream of visiting.  We’d see icons like The blood streaked Altar of Sacrifice in the Towers of the Virgin, the Sentinel watching over the Court of the Patriarchs, and the Great White Throne of God looking down upon the razor thin edge of Angel’s Landing.  We’d walk among lesser icons like Echo Canyon and plunge our tired feet into the frigid waters of the Virgin River.

Sharp gusts of canyon wind carried a chill through the darkness at camp, rustling the grasses and the cottonwoods.  I fumbled with breakfast in the dark while we packed for the day.  Dave, who is more accustomed to lightweight backpacking than I am, carried a tiny bag with almost nothing but water and a few small bags of snacks.  I had my camera gear to contend with and shouldered a far heavier burden.  The earliest park shuttle would arrive at 7am and by 6:45 we were the only ones stirring in camp, a good sign we’d have the trail to ourselves.  The morning sky was just beginning to glow as we walked quietly among the deer that were loitering at the visitor’s center.

There were only two others on the first shuttle of the morning from the visitor’s center.  The other early risers were an elderly fellow who had plans to see sunrise from further in the canyon and fairly large man in a ponytail who wanted to “hike Angel’s Landing without his wife and kids slowing him down”.  We picked up a few more ambitious hikers before reaching The Grotto, where we would find the trailhead to Angel’s Landing.

Angel's Landing hike-1

We chose to conquer Angel’s Landing first for a few reasons: First, I wanted to shoot from Angel’s Landing in early light.  From all accounts, this would be a technical, heart-pounding hike with serious exposure and there was no way we were going to try to hike it for the first time in the dark just to catch “sunrise” from the top.  I was happy being able to shoot in the early morning light, hoping for something dramatic.  Second, we wanted to beat the crowds of weekend warriors and all-out tourists shuffling up the trail.  The park tells you to plan 4 to 5 hours for your round-trip to Angel’s Landing, but we were confident we could shave that down a little.

Zion National Park - Angel's Landing hikeAngel’s Landing was an absolutely amazing hike.  Short, a little strenuous, and potentially nerve-wracking for anyone with a possible fear of heights.  Since neither of us have ever experienced a fear of heights, the hike wasn’t as white-knuckle-scary as it was made out to be.  There are a few sections where well-worn chains guide you along and give you something to cling to.  I don’t think the chains are necessary though.  We were alone hiking most of the trail, running into very few people hiking that early.  We made short work of it clawing our way to the very end of any navigable path within 45 minutes of leaving the shuttle bus.  We spent nearly an hour at the tip of Angel’s Landing just enjoying the view and taking pictures and never saw another tired, sweaty soul until we packed up and headed back.  On the return hike it was easy to see how this hike could turn into a 4 hour ordeal when it gets crowded.  We never did see Ponytail.

Zion National Park - Angel's Landing hike

Before too long we were back across the Virgin river and waiting for the next shuttle to take us up the canyon to Weeping Rock where we’d catch the trailhead to Observation Point.  This was a busy trailhead, but we were ahead of schedule and doing well to stay ahead of the real crowds.  The beginning of this trail can be busy as it’s shared with those making the short hike to Weeping Rock, or venturing a little further to see Echo Canyon.  A small fraction continue on up the long, winding, never-ending swithcbacks leading to Observation Point.

Zion National Park - Observation Point

Echo Canyon-3This one takes some time, and is one of the most popular hikes in the park for one reason…the view.  From Observation Point you are treated to a plateau level view of the entire valley.  The point itself sticks out from the adjacent canyon wall enough that you are awarded near 360 degree views down into the park.  We sat at the point for a long time, resting the feet, taking pictures and befriending the local wildlife.  We both dreaded the long downhill and what that would mean on our tired, old knees.

I had expressed an interest in checking out Hidden Canyon, which we would pass on the way back down.  We looked forward to a little uphill hiking again after the descent from Observation Point and didn’t lose a step in the transition.  The trail to Hidden Canyon offered the kind of fun we found at Angel’s Landing, narrow trail clinging to the canyon wall, chains provided for the sketchy bits.  We managed to pass a couple of other groups who seemed to be in over their heads on this one.

I really love seeing those people on the trail, sweating with fear and clinging to the chains or rails with a death grip.  They move slow and sure, sometimes swearing and screaming at a misstep or stumble.  This, to them, is the pinnacle of adventure and they are doing it!  It reminds me of my mother on the trail down to the pool below Mooney Falls in Havasupai.  She was scared to death, but she made it.  I’m there because I don’t fear those trails, I love it and I’m comfortable there.  These people are there in spite of their fear and discomfort, pushing past their limits and experiencing wonder.  It’s commendable.

We found ourselves at the bottom of the trail on another shuttle, sore, tired and out of food and water.  But we still had a little more of the most important commodity in our whole adventure…TIME.  So we headed to The Narrows.  After a refill of sweet spring water and a little “Vitamin I” we were back on the trail with a vengeance.  Late in the afternoon, the River Walk Trail leading into the narrows is choked with “tourists”.  These are typically NOT hikers or adventurers but “tourists” in the purest sense of the word and  I’m not ashamed to admit that we bullied our way past the sluggish cattle.  Our time was fleeting and we were moving with purpose.

Zion National Park - The Narrows

Reaching the end of the paved River Walk Trail we scuttled down the concrete steps to the rocky beach.  We continued our brisk pace weaving past the people lingering there.  We reached the water’s edge then, without hesitation, we continued our hike through the cold water.  Further up the canyon the only people we saw were those returning from day hikes into The Narrows wearing wetsuits and drysuits and accompanied by a guide.  We continued to pick our way up canyon, watching our footing in the swift water.  I set up a couple of shots, feet going numb in the cold Spring runoff.  We hiked as far into the canyon as we could, stopping before the water became deep enough to force us to swim.

We hung out for a while, savoring our sampling of The Narrows and mentally adding to our To-Do lists for future trips.  I hear Fall is a great time to hike The Narrows…

We returned to camp at dusk thoroughly used, tired, wet, hungry and sunburned.  Surely a sign we’d done our duty well.  We changed into dry shoes and clothes and walked to the Zion Brew Pub (Dave had convinced me that our day warranted more than freeze-dried backpacking food).  We ended our epic day in Zion National Park the way one should end any epic day…with stories and beer.

Many of these images from Zion National Park are available in print or download from my Gallery.

One Day in Zion Gallery…

A Stranger in Zion…

The late afternoon light was stretched low over the horizon casting long shadows in Zion National Park.  I had unpacked my gear from the dusty truck in Watchman Campground and quickly set up my home for the weekend next to another small tent quietly occupying the same campsite under a large cottonwood.  I didn’t know much about my mysterious campmate yet.  Less than an hour earlier, I had received a single text message – all set in F4.  They have a parking permit for you as you enter watchman campground.  If I’m not in camp, I’m off exploring.  Sounds like we’d get along just fine.

View of Watchman from the Campground in Zion National Park

The National Parks and Monuments of Utah have always called to me, especially Zion National Park.  I don’t normally make a huge effort to visit the National Parks, preferring instead to explore Wilderness Areas where I can find quiet and solitude.  There are exceptions.  When my dad passed away in 2005 we were in the planning stages of several trips together.  We were on the wait-list for a private trip down the Colorado River, we were just starting to plan a trip through Yosemite along portions of the John Muir Trail and we were talking about touring the Utah Parks of Zion, Bryce, Arches and Canyonlands.

In Fall of 2007 I was able to raft the Colorado through Grand Canyon on a private boat trip with several of my dad’s closest river friends.  This Summer I’ll finally be hiking most of the John Muir Trail through Yosemite with a small group of backpackers.  And for years I had been patiently looking for opportunities to visit Arches or Zion…when I received this message on twitter:

The timing seemed to fit perfectly into my jigsaw puzzle of a travel calendar.  I managed to scrounge up some petty cash for fuel, take the weekend off and drive 7 hours across Arizona and Utah to meet up with a fellow adventure seeker after nothing more than a handful of Twitter messages.  Twitter has been funny that way, especially when it comes to the outdoor community.  I see it happen all the time with messages like, “Anyone up for climbing near SLC this weekend?” or “I want to do Humphrey’s next time in Flag.  Who’s in?”  Social Media allows us to connect with like-minded people for outdoor adventures that just wouldn’t be as fun (or safe) alone.

This time it was Minnesota native David Wherry, hell bent on making the most out of his first whirlwind trip to Zion National Park in the shortest time possible.  David would have one day, sun-up to sun-down, to doggedly chase down as much adventure and general badassery (yes, it’s a word) as law would allow…and he was looking for a partner to help him run it down.

As I organized my gear at Workman Campground I knew we were staring down the barrel of a long sunrise-to-sunset day of steep, sweat-stained canyon hiking.  So when Dave came strolling into camp after a casual 7 mile trail run, I knew he’d be the guy pushing the pace the next day.

That night we sat around the campfire and discussed our strategy for the next day.  We didn’t know each other before that night but we both seemed very much on the same page about our agenda.  We listed out our priorities starting with Angel’s Landing at sunrise and worked our way from there with every intention of hungrily devouring as much of this amazing park as we could stomach before sunset.  We would not be content to shuffle along with cattle-like tourists.  We would push hard, move fast and end every trail with an eager and emphatic “What’s next!?”

David turned out to be a great trail companion and bad-ass adventure partner.  Hopefully his work continues to land him in parts out west so we can pull off another epic slam-dunk in another amazing location.  The sooner the better…

The Epic Day in Zion National Park…

Angel's Landing at Zion National Park

Echo Canyon at Zion National Park

Observation Point at Zion National Park

The Narrows at Zion National Park

 

To see more of my images from Zion National Park visit my gallery.

Photograph of the Week: Entering Zion…

I’ve spent the last two days editing and fine tuning photographs from this weekend’s trip to Zion National Park.  I’m very tired, but it’s been incredibly rewarding.  I feel like I have some great images in spite of being overwhelmed by the enormity of such a small park.

I tried not to approach my visit to this park with any specific photographic goals.  Normally I research a location before I visit so that I can figure out which shots have been overdone, which iconic features are “must see”, or if sunrise or sunset are better times to shoot.  With Zion I let all of that go and figured I would simply drive to the park and see what there was to see.  I even resisted the urge to purchase a map of the park before my visit.

I chose to drive in from the lonely east side of Zion.  Coming from Phoenix, the route up through Northern Arizona and across Southern Utah seemed more adventurous and intriguing than zooming along major highways through Las Vegas.  This route meant less traffic and rare views of the Colorado River, Marble Canyon and the Kaibab Plateau.  It also meant there were no lines to get into the park.  The east entrance was eerily quiet.

As soon as I entered Zion, my truck slowed to a crawl.  I’m sure there were the obligatory posted speed limits, but they were unnecessary as it is impossible to drive through Zion without slowing to look at the dramatic scenery.  I don’t think I was inside the park boundary for more than five minutes before I was wheeling my grumbling truck to a dusty pullout and clawing at my camera equipment.  My truck left idling restlessly with the rear door thrown open, I scrambled up a loose, sandy slope to capture my first shots of Zion National Park.

Entering Zion National Park

Entering Zion National Park

Entering Zion National Park

I was not alone, other vehicles were strewn at random angles in haste as eager photographers abandoned their cars, trucks and rented RVs to point their lenses toward a dramatic, alien landscape.  I pushed on, stopping here and there, but forcing myself toward camp.

My adventure was just getting started and I had a partner-in-crime for the weekend that I had yet to meet.

 

To see more of my images from Zion National Park visit my gallery.

Photograph of the Week: Working the details…

Back in December, I shot up to Sedona to catch the first snow of the season.  It was a truly amazing day trip that resulted in some really beautiful shots.  The day was just perfect for photography.  The sunrise was bright and clean, the low wispy clouds clung to the base of the mountains and everything had a dusting of snow and frost.  Sedona photography at it’s best and we took advantage of it.

One of my favorite shots from the trip was not one of the spectacular sunrise directly, or one of the iconic rock features.  It was a simple shot, just north of the Bell Rock feature.  It was sort of a quiet moment for me in the frantic shooting that morning.  We had been scampering around since the sun first crested the horizon, dashing about to catch different angles while we had the window of opportunity.  Then I took a moment…just to take it all in.  It was a beautiful moment and I smiled at the pure, simple pleasure of being there.

As I took in my surroundings I turned away from the sunrise, something I hadn’t done yet, and there was this whole amazing scene behind me bathed in a warm glow.  I took a couple of short steps to frame a few branches from a nearby tree into the shot.  Shortly after that, I resumed my frantic shooting to grab what I could before the day pushed on.

Shooting in low light (sunrise/sunset) can be difficult.  The low angle light creates high contrast and vibrant colors but can be difficult to show without some “dark room” adjustments.  Our eyes do a much better job of working with high contrast than the camera does, so to get a photograph that mimics the experience it can take a little work.  For me, the biggest thing is to bring the shadows forward so that we can see what is hidden there.  To do this (in Lightroom) I push light into the shadows, then immediately increase the Black to restore contrast.  Increasing the clarity will also help bring detail out of the shadows and create contrast.  I rarely have to adjust the contrast directly as the shadow and clarity adjustments do it for me.

The problem with boosting light into the shadows is that you can lose detail in the highlighted areas.  In this piece, the low clouds on the right became a white blob, but by playing with adjustments to the Highlights I was able to get the detail back.  I don’t always boost the Saturation because it’s very easy to get a photograph that looks unnatural.  However, adjusting the Vibrance setting (especially in sunrise/sunset shots) will bring out the vivid colors that make low light shooting so fun.

Photograph of the Week - Original

At this point in the editing process Lightroom lets you fine tune the saturation and hue by color.  I don’t play with this often as it will also easily create a look that is unnatural and “over processed”.  But in some cases (like Red Rock country) where the colors can become either muted or oversaturated depending on the natural light, I will use these tools to push and pull to recreate what the scene felt like.

You can see from the original shot that the details are all there.  The light is much more subtle and the shadows disguise much of the section of trees in the middle.  You also don’t get the feel of the sunrise which was much more vivid in person.

The last thing I do once I have the colors and shadows adjusted is focus on detail.  Lightroom has fine detail adjustments that let me strip out some of the noise and Sharpen the finer details.  Sharpening the image will usually bring out even more noise, but by also increasing the Luminance to match the Sharpening I can drop the rough noise out.  This, to me, results in a much cleaner and more readable image.

Photograph of the Week - Sedona Sunrise

 

Specifications:

  • This image was shot on a Nikon D70s with a Nikon Nikkor 10-28mm WA lens.
  • Exp: 1/160, F/9, ISO-200, 10mm.
  • Originally shot in RAW format and processed in Adobe Lightroom.

 

…And the big announcement!

I finally created a virtual gallery for my work!  I’m really excited to introduce Wilderness Dave Photography where you can see (and purchase) the top photos from my outdoor travel sets.

Wilderness Dave Photography Gallery

Go check it out, I’d love some comments and feedback.  The gallery will be updated with new work as it is produced.  Every week I will feature a special price on the Photograph of the Week for my readers if anyone would like to purchase a print.  This week, use coupon code POTW4413 to get 40% off your purchase.

Teton Sports Mammoth 20° Double Sleeping Bag Giveaway…

Teton Sports has been working with Trail Sherpa and the Trail Sherpa Network to promote a couple of their sleeping bags.  The Mammoth Double Sleeping bag was the focus of the spotlight, but I also got to review the Super comfy Fahrenheit Sleeping Bags.  These are a great line of camping sleeping bags that offer plenty of warmth and creature comfort.  They are by no means backpacking bags, unless you’re into carrying your own bodyweight on the trail…no judgement here, have fun with that.  But for car camping, where the tent is a stone’s throw from your trunk, these are perfect.

mammoth sleeping bag

Tim’s review of the Mammoth shows how well the Double Sleeping bag works for families with smaller kids, “We took the three kids (my buddy and his daughter were camping with us) into the tent, got them snuggled in the bag, and started a movie for them.  The three of us sat around the fire talking about what had just transpired.  We talked for 45 minutes about it in fact.  To the kids, it was probably the coolest fort ever…I asked Tater the next day what he thought of the bag.  He said it was ‘way soft and super cushy’.

Amelia also had a chance to review the Mammoth with her young ones, “Nothing like taking your cozy bed from home camping with you.  The Mammoth does just that with a plush interior, great sleeping weight and the option to make it as big as your family needs.  It is made for the camper that doesn’t want to sacrifice comfort in a tent…

Teton Sports makes a nice sleeping bag.  Check out this video from Shawn at Teton Sports discussing the technology and design behind the Mammoth and Fahrenheit bags:

If you would like to win a Mammoth Sleeping Bag of your own, use the Rafflecopter widget below for multiple entries into the giveaway.  The contest ends soon, so get your entries in and Good Luck!!

a Rafflecopter giveaway

Photograph of the Week: Plan B in Boulder Creek…

The plan was to hike a 12-13 mile loop down Second Water to Boulder Creek then up the trail along the creek to return via Lost Dutchman Trail.  I was looking forward to hiking the creek and shooting some fun angles in Boulder Creek Canyon.

Normally, Boulder Creek is a thin stream that casually babbles it’s way down the canyon.  Crossing is not terribly difficult and the multiple creek crossings are part of the fun.  What I hadn’t really planned for the was the late Winter storm that rolled through Arizona (and much of the southwest) dumping tons of rain and dusting the local peaks with snow.  I stuck to my plan and headed out to Lost Dutchman State Park figuring I’d hike my designated route, in the rain if need be, and explore this part of the Superstition Mountain Wilderness.

When I hike, the “plan” isn’t much more than a loose sketch…an idea of where I’d like to end up depending entirely on what I might find along the way.  I try to allow a lot of wiggle-room in my agenda and very rarely think of my proposed route as “set in stone”.  Adaptability and flexibility are the name of the game.  My dad used to say something to the effect of, “Plan B makes for better stories”.  He was usually right.

I had to slog through muddy, mucky trails and cross many drainage washes running with water.  There had been so much rain, the ground was soft enough for me to sink a couple of inches with each step in places.  For a good section of the downhill side heading into Boulder Creek Canyon the drainage ran down the trail itself (very happy I had my waterproof boots with me on this one).  Once I reached Boulder Creek I realized I might need to rethink my plans.  The creek was swollen and brown with runoff and moving fast.  I had already passed one group that had turned back at the creek, but I wanted to see it for myself.

I tried desperately to follow my side of the creek looking for any sign of a trail, or a safe place to cross.  I followed a sole set of footprints up the boulder strewn creek fighting through vegetation until I was finally choked out.  I sat on a large boulder in the middle of the creek for a long time thinking about what I wanted to do.  As I munched on a snack bar, I considered the option of crossing the creek to look for the trail.  I considered heading up the canyon wall on my side to see if there was a trail higher up.  All of these considerations were sketchy at best and if the storm decided to let loose with another downpour I could find myself trapped on the wrong side of the creek or, worse, caught in a flash flood.

Eventually, I succumbed to reason and figured the smart thing for me (or anyone) hiking solo out in these conditions was to head back.  I reluctantly headed back the way I came, fighting through the same brush and still looking for a missed opportunity to cross the creek.  When I came back to where the original trail met the creek I tried my luck at crossing again but found nothing I deemed safe.  So I decided to make the best of it and get the camera equipment out to play with.

The storm hadn’t given me much of a sky to shoot.  It was very gray and overcast, very little definition and the light was diffused and too soft to create dramatic shadows.  My immediate thought was that it might be a good opportunity to play with slow exposure shots.  A slow exposure might give me a little boost of light in the scenery.  It would also allow me to play with the moving water effects that I always thought looked so cool.  I shot a few canyon shots then started playing with exposure times.  I took a few shots right down by the creek repeating the same shot with different exposure times to see what I would get.  The new shutter remote I got worked perfectly for being able to stabilize the camera on the tripod and get the shot without the risk of shaking the camera.

Photograph of the Week - Boulder Creek-Superstition Wilderness

Specifications:

  • This image was shot on a Nikon D300 with a Nikon Nikkor 10-28mm WA lens.
  • Exp: 1/5sec, F/29, ISO-200, 18mm.
  • Originally shot in RAW format and processed in Adobe Lightroom.

I eventually climbed up a small boulder cliff adjacent to the creek to get a better view of the canyon downstream.  I snapped a couple of shots then turned the camera around and shot almost directly below me catching a scene where the creek was choked with smaller, colored rocks and desert riparian shrubs.  The chocolate milk color of the storm-swollen creek softened the scene and when I slowed the exposure the movement of the water created a nice silky effect.  The result was magical.

This really turned out to be my personal favorite of this entire set.  I love the colors, I love the contrasts, I love the composition.  The lichen on the granite rock below me provided some really nice interest and texture to balance out the detail in the rocky side of the creek.  The movement of the water flows nicely in a diagonal across the composition dividing the two opposing scenes.  It just feels really nice to me.  I intend to have this one blown up on a tall canvas wrap for my office.

If I had not been forced to abandon Plan A and turn back, this shot would never have happened.  I’m happy to see where Plan B took me.

More Images from Boulder Creek…

You can now purchase Photograph of the Week images from my Virtual Gallery.  The Gallery is set up to allow you to purchase prints or digital copies for personal use.

Photograph of the Week: Diamond in the Rough…

I think all photographers understand that not every trip in to the field is going to be stellar.  Sometimes, mother nature bucks against your expectations and you walk away underwhelmed with your collection of photographs.  It’s hard, and sometimes counterproductive to go out on a shoot with zero expectations and try to find your inspiration.  I’ve tried this approach and often come back with nothing.

A couple of weekends ago I was invited out to visit with fellow Photographers/Bloggers Bret (@BretEdgePhoto) and Melissa (@AdventureTykes) at Lost Dutchman State Park in the Superstitions.  We had talked about meeting up for a hike, but plans changed and I ended up driving out very last minute to visit them at their campsite.  We visited for a while and as the sun approached the horizon Bret asked if I’d like to run out for a quick hike to see what we could get.  I of course said yes, grabbed my gear and we were off to find a view of Weaver’s Needle.

Bret had seen a trail with a potential view he wanted to explore so we parked his rig and set off down a wash.  We hiked the wash, quickly so as not to lose the light, and climbed a few hills looking for the right vantage point.  We eventually followed an old Jeep trail to the top of a small hill where we could see Weaver’s Needle in one direction and Four Peaks in the other.  Then we waited.

The sunset was slow to perform, so I got my camera out and started looking to set up a few shots.  I had brought out my tripod, something I haven’t done in almost 12 years, hoping to be able to get some crisp images.  As I am pursuing photography again I am remembering and relearning the little things that elevate simple “photos” to “Photography”.  I had religiously traveled with my tripod in the past, knowing what I could do on film with a little exposure play.  With the DSLR I had become accustomed to using it like an oversized point-and-click digital camera.  That is changing.

Bret and I sat on the hilltop for a short while.  We were hoping for a decent shot of Weaver’s Needle but the light wasn’t cooperating and I became more fascinated with the view of Four Peaks.  There wasn’t much there, but as the light was getting lower I could sense a subtle glow to the rock, and the saguaros were lighting up like little candles on the hillside and Four Peaks and the mountains in the distance were taking on a nice soft purple hue through the haze.  I set up the tripod and took a few shots, really expecting nothing spectacular but wanting to see if I could tell the difference in detail shooting off the tripod.  The sky was dull and the sunset fizzled out without any real show.

Bret and I packed up and headed back to camp where we continued our visit.  Bret and Melissa are really great folks and I was glad I could take them up on their invitation to visit.  I went home shortly after dark and put my gear away.

The next day I decided to take a look at the images, entirely unimpressed with the originals.  I began processing them just to see if the low light had given me enough color and contrast to draw out some detail.  Working with the first couple of images was encouraging but they were not the shots off the tripod.  When I got to the last few, taken from the stability of the tripod, I was impressed with the difference.  I was able to take a slower shot, allowing a wider aperture and the resulting photograph was clean and crisp.

Photograph of the Week - Lost Dutchman

Specifications:

  • This image was shot on a Nikon D300 with a Nikon Nikkor 10-28mm WA lens.
  • Exp: 1/13 sec, F/14, ISO-200, 24mm.
  • Originally shot in RAW format and processed in Adobe Lightroom.

 

With the slower exposure, there was more color to play with and as I processed the image a rainbow of colors emerged.  The vertical shot really emphasizes the layers of color.  To me, this image feels like a rainbow with it’s layered colors blending to each other.  There was enough shadow in the landscape in the foreground that it wasn’t toned in yellows and oranges like the rest of the desert.  The previously dull sky now made sense in the composition and I was able to overlay a gradient exposure correction to get the sky to fade to a darker blue.

Photograph of the Week - Lost Dutchman and Four Peaks

Specifications:

  • This image was shot on a Nikon D300 with a Nikon Nikkor 10-28mm WA lens.
  • Exp: 1/2 sec, F/29, ISO-200, 24mm.
  • Originally shot in RAW format and processed in Adobe Lightroom.

The horizontal shot was able to take advantage of the purple hue of Four Peaks and had the added interest of part of the old Jeep trail in the foreground.  This image came out super crisp and clean and, though more subtle, had the same layers of rainbow colors I captured in the vertical image.

I had dismissed both of these shots because I had wanted the super dramatic sunset, or the perfectly framed shot of Weaver’s Needle with the light illuminating the peak just right.  Instead I got a really interesting, playful, colorful couple of images that highlight the beauty of the landscape and the intricate detail of the rock and cacti.

In the end, even without the nice images, I was glad to have met a couple of new friends and share a hike with a fellow photographer (though I struggle to even refer to myself as a photographer in the company of a true professional).  One of these days, I hope to get up to Moab to visit Bret’s gallery and join them for some fun outdoors adventures in Utah.

You can now purchase Photograph of the Week images from the Wilderness Dave Photography Virtual Gallery.  The Gallery is set up to allow you to purchase prints or digital copies for personal use.

Photograph of the Week: Catching the Sunset…

This Photograph of the Week I almost didn’t catch.

My wife and I had just moved everything she owns from Houston back to Arizona.  We have waited nearly three years to be living together in the same house.  We had solicited the help of her parents for the long drive across the southern states to Arizona.  Having been home for most of our first week together, a good friend invited us up to his place in Cave Creek for a visit.  We graciously accepted the opportunity.

I had promised we would be in Cave Creek by 6:30 and I am not one to keep people waiting.  I had been watching the clouds all day and the sky was promising quite a show at sunset.  A sunset that would probably hit it’s peak right about 6:15 or 6:20, just as we would be driving north to my friend’s house.  Before we left, I grabbed my camera hoping that we could make it to Cave Creek before the sunset completely disappeared.

Sure enough, as we left the house the sun was settling low and the intense evening light was bending into an array of warm colors.  The clouds that evening were hinting at a storm and made the perfect canvas for bold strokes of orange, red, pink and violet.  I found it difficult to keep my eyes off of the sunset and I’m sure everyone in the truck thought I was nuts as I was mesmerized by the torrid display.  I got us into the driveway just as the sun was disappearing, the oranges and deep reds and faded and the sky was washed with the afterglow of pink and violet tones splashed against dark stormy clouds.

At the risk of being entirely inappropriate and rude, I said a quick hello then darted back to the truck and grabbed my camera.  I rushed across the street from my friend’s house, which was luckily next door to natural desert, and snapped off a few choice shots.  It was hard to tell if I had caught enough of the light.  The pink tones were so subtle as the sun faded they could easily not show up.  Luckily, with some developing in Lightroom I was able to enhance the subtle tones in the finished image.  I almost missed this one, and certainly missed the grand show.  But what I did capture was something that I think turned out much more compelling than the blaze of full sunset at it’s peak.  The mood in this photograph plays a much deeper, more intricate melody.

Photograph of the week - Cave Creek Sunset

We truly have some of the most amazing sunsets in the world here in Arizona.  As a budding photographer, it’s heartbreaking to miss opportunities to capture something amazing.  But if you pay attention throughout the day, and you are prepared with your equipment at the ready, you’ll have the advantage.

Specifications:

  • This image was shot on a Nikon D300 with a Nikon Nikkor 10-28mm WA lens.
  • Exp: 1/20 sec, F/4.5, ISO-200, 24mm.
  • Originally shot in RAW format and processed in Adobe Lightroom.

You can now purchase Photograph of the Week images from the Wilderness Dave Photography Virtual Gallery.  The Gallery is set up to allow you to purchase prints or digital copies for personal use.